SAMANTHA TERRELL - POET / EIC, SHINE Poetry Series
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SUSAN RICHARDSON

3/30/2023

 
Today I am pleased to share the rich and reflective writing of award-winning poet, Susan Richardson. Susan lives in Ireland with her husband, and their two dogs and two cats. Please enjoy her poems, "The Cruel Side of His Eye" (originally published by The Storms), and "Diagnosis" (first published in Rust + Moth). Thank you, Susan, for allowing me to feature your work!

The Cruel Side of His Eye

I stand in front of a mirror,
droplets of steam
clouding my reflection,
tuck my hair behind my ear.
I have my father’s ears,
unpliable like tree bark.
With calloused fingers,
I trace the signs of time
peppered across my face,
rub the echo of a storm from my eyes,
deep set and turbulent,
another trait my father and I share.

Today I became the cruel side of his eye,
fury blooming in my jaw,
blood -soaked red that overtook my tongue.
I lifted my voice to the sky,
filled it with spikes of thunder,
dormant in my mouth for a decade.
I pulled shadows from my throat,
hurled them at my father’s wife,
for shaming him
as his thoughts became fragile,
words falling like hummingbird bones
from his trembling mouth.

My heart races in the aftermath of anger,
scratching like a hairshirt
against my ribs.
I push the thin line of my lips
into a scowl,
teeth crooked just like his.
I inherited my father’s underbite
and his rage.

Diagnosis

White canes and hope quiver in the
hands of patients in search of divinity.
Like disciples, we flock to a white coat god,
known across continents as a beacon for the blind.

The hum of anticipation hovers over the waiting room,
mingling with the smirk of fluorescent spikes,
every seat occupied by someone whose
life is about to be ravaged by bad news.

A young boy sits across from me, wilting into
his chair, torn like the skin of an avocado,
weeping eyes closed against the glare of the lights.
His mother strokes his shaking fingers.

We are all on a wire, terrorized by the hands
of a hospital clock, time picking at our skin,
taunting us with shapes that disappear into nightfall.
Silence wrings fright into the smudges of our breath.

The sound of my name shatters against
the quiet, bellowed by a nurse experienced
in leading people into sentences of darkness.
I follow her through the fog of my dilated eyes,
into a dimly lit room crowded with the scent of dread.
I am not eager for this diagnosis.

The doctor arrives, a sadist with a scowl on his face
and a slice of mustache capping his frigid lip.
He looks at me as if my presence is inconvenient,
shines a spotlight on my disease and tells me not to blink.
He plucks out my eyes and buries them in his scorching headlamp.

My fate is delivered from a sterile throat.
The first witness to the death of my retinas can’t see the fear in my eyes.
He doesn’t even look at me when he tells me
I am going blind.

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Susan Richardson is the author of Things My Mother Left Behind (Potter’s Grove Press), and Tiger Lily (JC Studio Press), an Ekphrastic Collaboration with artist Jane Cornwell.  Susan also writes the blog, “Stories from the Edge of Blindness.” Her poems have appeared in Crannog, The Storms, California Quarterly, Ink Sweat and Tears, and The Opiate Magazine, among others. Originally from Los Angeles, California, she now writes from her home in Ireland. You can learn more about Susan's work on her website.


ELIZABETH  K. BATES

3/8/2023

 
In recent years, connecting with fellow poets on social media has brought a whole new aspect to my writing career. It is a great joy to be able to share some of their work here, and I am honored to do so. This week's featured poet hails from Washington state, where she is a teacher, mom, and Betty White enthusiast! Thank you, Elizabeth for sharing your lovely poetry with us.

Rose Gold
(Previously published by The Daily Drunk, and STAY GOLDEN zine.)

And time and time again
the adage we were told:
gold will always fade.

I live in other adages,
as they’d say them in St. Olaf.
Things about not blowing my vertubenflugen.

And some might be able to
calculate the hours
until gold’s sparkle ceases.

I don’t—and I won’t—because Nylund math
starts and ends with asking permission
to ask a dumb question.

And maybe eternal gold
defies all sense
of logic.

I never counted
common sense
as a crowning glory--
and to the benefit of us all
neither does Rose
who knows it’s just as well
that everyone blows that right
out their tubenburbles.

Gold in all its variations
may vanish,
but true gold--Rose gold--
is here to stay.

Calls
(Previously published in Masque & Spectacle, Issue 25.)

Eggs stare back at me, distinct blue, like piercing eyes through
the forest undergrowth. The nest begs for help. To get back

where it belongs. To get back to what it is becoming. Out by the
cattails, a red-winged blackbird reminds me,

“Plant your garden seed.” There is still so much to do to ensure
proper nurturing. I’m hungry for what’s to come. It’s almost lunch

when the goldfinch passes over. “Po-ta-to-chip.” Naturally,
the reminders of all the days still require threaten to overwhelm as dusk,
like a beacon to home, calls for my attention.

But then, the barred owl begs the question:
“Who cooks for you? Who cooks for you-all?”

Someone takes care of me always.

The helpless blue has my full attention. With the fallen nest secured,
I walk home. The door opens where I’m greeted
by blue eyes.

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Elizabeth Bates is a Best of the Net and Pushcart-nominated writer from Washington state. She is the author of MOSAICS & MIRAGES (Fahmidan, 2022) and ROSE GOLD: BETTY WHITE POEMS. “Rose Gold” is the titular poem of Bates’ chapbook released on her Substack, THE LETTER “B,” in January 2023. “Calls” is a poem from Bates’ currently unpublished chapbook. When Bates is not writing, she is making memories with her family; teaching high school English; or tweeting about Betty White. Twitter: @ElizabethKBates Website: elizabethkbates.com


MICHAEL DICKEL

3/2/2023

 
This week's featured poet is Michael Dickel. Michael is an award-winning writer, educator, and editor. It's an honor to feature three of his poems today, including "Extinction Event" which previously appeared in The BeZine (March 2021). Please be sure to check out his Bio (below) for more details about his books and outstanding accomplishments. Thank you, Michael!

Fast-talking Slow-walking

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Extinction Event

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23. July. XX

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A poet, artist, fiction writer, publication editor, educator & photographer, Michael Dickel's creative work appears widely in print & online. He edits The BeZine online quarterly. He taught at David Yellin Academic College of Education, Jerusalem, The Hebrew University, Bar Ilan University, and in the US at Macalester College, the University of Minnesota, and Metropolitan State Universiry-MN. His poetry has won international awards & been translated into several languages. His most recent poetry collection, Nothing Remembers, came out from Finishing Line Press in September 2019, and received a Feathered Quill Book Award for Poetry. He has a chapbook, Breakfast at the End of Capitalism (Locofo Chaps, 2017) and a flash fiction collection, The Palm Reading after The Toad’s Garden (Is a Rose Press, 2016), among other prior books. With Israeli producer / director David Fisher, he received an NEH grant and wrote a film script about Yiddish theatre.

    SHINE - International Poetry Series

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    From the international poetry community, we have a "luxury of stars," as Sylvia Plath might say, and it is my honor to provide a home for their words through SHINE Poetry Series.
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    NOW IN PRINT!

    Stars Over the Dordogne
    BY SYLVIA PLATH
    Stars are dropping thick as stones into the twiggy
    Picket of trees whose silhouette is darker
    Than the dark of the sky because it is quite starless.
    The woods are a well. The stars drop silently.
    They seem large, yet they drop, and no gap is visible.
    Nor do they send up fires where they fall
    Or any signal of distress or anxiousness.
    They are eaten immediately by the pines.

    Where I am at home, only the sparsest stars
    Arrive at twilight, and then after some effort.
    And they are wan, dulled by much travelling.
    The smaller and more timid never arrive at all
    But stay, sitting far out, in their own dust.
    They are orphans. I cannot see them. They are lost.
    But tonight they have discovered this river with no trouble,
    They are scrubbed and self-assured as the great planets.

    The Big Dipper is my only familiar.
    I miss Orion and Cassiopeia's Chair. Maybe they are
    Hanging shyly under the studded horizon
    Like a child's too-simple mathematical problem.
    Infinite number seems to be the issue up there.
    Or else they are present, and their disguise so bright
    I am overlooking them by looking too hard.
    Perhaps it is the season that is not right.

    And what if the sky here is no different,
    And it is my eyes that have been sharpening themselves?
    Such a luxury of stars would embarrass me.
    The few I am used to are plain and durable;
    I think they would not wish for this dressy backcloth
    Or much company, or the mildness of the south.
    They are too puritan and solitary for that--
    When one of them falls it leaves a space,

    A sense of absence in its old shining place.
    And where I lie now, back to my own dark star,
    I see those constellations in my head,
    Unwarmed by the sweet air of this peach orchard.
    There is too much ease here; these stars treat me too well.
    On this hill, with its view of lit castles, each swung bell
    Is accounting for its cow. I shut my eyes
    And drink the small night chill like news of home.

    ~~~

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  • ABOUT
  • PUBLICATIONS
  • SHINE Poetry Series
    • SUBMISSIONS
  • PROFESSIONAL AFFILIATIONS
    • CONNECT
  • SHOP
  • POETIC TRINITAS